Last Friday I had the opportunity to photograph Venice-based poet, and 2011 NEA-award-winner, Anna Journey in Topanga State Park. I met Anna when I photographed her husband, David St. John – also a poet, and a professor of English at the University of Southern California – for Poets & Writers Magazine last year.
Anna and David are a lovely couple whose Venice, California, home is full of books and has a bohemian/intellectual vibe that made me feel smarter as soon as I walked through the door. A red Olivetti typewriter and a cool jazz mix made me want to kick off my shoes and curl up with some coffee and Proust in their living room. [Side note: In an admittedly odd trait for a photographer, I tend to put writers on a pedestal. A love of literature, and the stubborn and naive belief that truth is found in books, leads me to be a bit insecure in the presence of published authors.] So when Anna wrote asking if I’d be willing to shoot some photos of her for her website, something with a touch of the gothic fable, and incorporating some vintage fox stoles, of course I said (hell) yes.
Together with makeup artist Aileen Hernandez, and several patient photo assistants, we braved bugs, deer, and possibly a Tufted Titmouse or two (I just like writing “Tufted Titmouse”), to shoot a portfolio of images. Her second book of poems, “Vulgar Remedies,” will be out this August from Louisiana State University Press, and she’s developing a website whose launch will roughly coincide with the book’s release. You can find her first book of poetry, “If Birds Gather Your Hair For Nesting,” on Amazon. David St. John’s most recent book of poetry is “The Auroras: New Poems.” 

totally psyched by the news that I got into American Photography 29 with the “Disintegrating Housewife” image from my new series, “The Family of Mann.”
Greg Chait founder of the luxurious hand-spun cashmere line, Elder Statesman and winner of the 9th CFDA/Vogue Fashion Fund, photographed in and around his Los Angeles studio for the New York Times a few months ago. Greg and his team couldn’t have been nicer, and the clothing samples were incredibly soft and cozy. If I’d had the requisite black Amex, I’d have bought everything in the showroom.
The wonderful and painterly noir look of New York Times portraiture freelancer Stephanie Diani.
Great mention from Jim Byrne – thank you!
Tibor Honty, Sans Titre, ca. 1950
Another social media mention! Fabulous!
What I’d like to know is, how do people keep this sort of thing rolling all the time??? If you know the secret, tell me!
First row: Decades, 50’s through 80’s. Hair and makeup by Aileen Hernandez, concept brought to me by Aileen Hernandez (Thanks Aileen!). Glasses supplied by Dr. York Spectacle Maker. This is what comes of having access to a studio and a wee bit of free time to play around with the lovely Angelina from QModels.
Second row: Just some fun with long, natural hair.
Speaking of DAMES, here’s a quick mention of the project in a blog article by Agency Access’ Andrea Maurio about personal work: why one shoots projects and what they can do for you.